Tag: Adobe Photoshop

Faux HDR with Topaz Adjust

Patina Pickup
Patina Pickup

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Today I’m wrapping up my automotive theme of the past week with this shot from the NSRA Streetrod Nationals a couple of years ago. Unlike most of my current work this image is a single frame which means it isn’t a true HDR image. I used Topaz Adjust to create the overall feeling of the shot and emphasize the sky and clouds while still rendering the truck’s shadow detail. By working with Topaz Adjust I was able to pull out the wonderful colors and tones that were in the image.

I hope you have enjoyed this week’s posts and writings. My goal with SpeedDemon2 is to share my workflow and discoveries as I evaluate and apply the many plug-ins that are out there today. I won’t claim that I’m an expert with any of them but after several years of exploring them I do have a pretty good handle on their strengths and their shortcomings. Plug-ins won’t make a poor composition or a badly exposed image better but when applied to photographs that are well thought out and  well executed they can definitely add interest and a personal style to your work.

Topaz, NIK and OnOne are really expanding the capabilities and usability of their products as they learn from their customers what they, the end users, want and need. The ability to combine presets, modify the presets and also create your own presets is rapidly expanding the range of styles and results we can get without spending hours or days inside Photoshop. Adobe’s decision to stop selling it’s creative suite and offering a subscription only model is, in my opinion, driving this expansion of features and functionality and will ultimately benefit all of us who enjoy creating photographic art.

On that note I want to mention that Topaz Labs has added another incredible program to their already extensive line. Topaz ReStyle is their latest offering and from my short exploration yesterday I think it will be a great addition to my workflow. ReStyle contains over 1000 presets and each one is fully customizable to allow the artist to fully explore his or her vision for their images. It is on sale at an introductory price of  $29.99 (the regular price after 08/31/2013 is $59.99)with the coupon code restyleit.

Use this link to go to the Topaz Labs website and download a free 30 day trial or take advantage of the introductory pricing which is good until August 31, 2013.

http://www.topazlabs.com/705.html

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Using OnOne Perfect Photo Suite 7.5 with HDR Images

Old School Hotrod
Old School Hotrod #1

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I took an HDR image that I created in NIK HDR Efex Pro and started experimenting with it in OnOne Perfect B&W to see what I could get from it. The OnOne Perfect Photo Suite is very powerful. It allows me to work in layers so that I can turn on and off each individual layer to see whether I like what it does in conjunction with other layers. For the first image here I applied the Ambrotype preset and then made several adjustments to the paper tone and silver tone, added an Emulsion border and adjusted the contrast and sharpening. Using the HDR image as a starting point helped render the interior details while still maintaining the surface textures on the car.

Old School Hotrod #2
Old School Hotrod #2

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This is the HDR image I started with. As you can see there is a lot of color in the image due to the patina of age. Most of the color in the glass and the wooden steering wheel was too muted for my taste until I adjusted the separate color channels in Aperture 3 after merging my bracket set in NIK HDR Efex Pro 2.

Old School Hotrod #3
Old School Hotrod #3

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For this last image I used the Perfect Effects application and applied a preset that changed the overall color of the image yet allowed me to emphasize the yellow and red in the window sticker. I can’t recall which preset I started with but I’m sure that I adjusted it’s effect to get the result I was looking for. I seldom stop with the base settings in these presets as I consider them to be starting points rather than end results.

The point of this post is to show that digital image processing opens the door to many options when creating art photography. It’s no longer necessary to spend hours in Photoshop building an image only to discover that it doesn’t convey your vision for the piece. By applying plug-in presets the artist is able to look at variations rapidly and decide what they want final result to be. Once a preset has been selected the artist can then make their own changes to it and emphasize the aspects of the image that are important for their vision of the image.

A Path Through The Woods

Enchanted Wood
Enchanted Wood

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Today I am sharing an HDR image that has been processed with Aperture  3, NIK HDR Efex Pro 2, Adobe Camera Raw, Photoshop CS5, Topaz Clarity and OnOne Perfect Effects. I shot the scene along Floyds Fork in the new Parklands Park that is being developed in eastern Louisville. My bracket set was -2, 0 and +2 EV which gave me three versions to work with for my HDR merger and tone mapping.

I first took the three bracket set into NIK HDR Efex Pro 2 where I merged them and applied the Balanced Preset. After that I made some adjustments in Aperture 3 before opening the HDR image in Adobe Camera Raw where I adjusted color saturation and luminance and then saved it in Photoshop CS5 as a tiff file. I then used Topaz Clarity to add micro-contrast and further refine the colors in the image. After returning the image to Aperture 3 I adjusted the sharpening, definition and added a vignette. I then opened the image in OnOne Perfect Photo Suite 7 and used Perfect Effects where I first applied the Vecchio filter at approximately 75% opacity to warm the image even further. Next I added the Holga Filter to another layer in OnOne Perfect Effects before returning the image to Aperture 3 for final sharpening.

Topaz Clarity vs Topaz Adjust

Kansas Tractor #4 Clarity Version
Kansas Tractor #4 Clarity Version

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Today I decided to go back to an image I posted a few days ago that I had processed in Topaz Adjust. I have always liked the effect that Topaz Adjust has when applied to these sorts of rusted relics. I usually apply the Spicify preset and then tweak it to achieve the final result. The one thing that I have always struggled with when using that method was the extreme halos that arose when pushing contrast, saturation and definition to enhance the texture in the image.

Topaz Clarity is designed to allow enhancing texture, contrast and saturation while minimizing halos and similar artifacts. The image below shows haloing in the sky and around the edges of the tractor that are almost entirely gone in the Topaz Clarity processed image. From these two images it seems clear that they have accomplished their goal. I was able to open up the shadows and saturate the colors without getting the types of halos that the Topaz Adjust version below exhibits.

Kansas Tractor #3
Kansas Tractor #3

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From this experiment I can say Topaz Clarity lives up to it’s billing. I’m sure that as I become more familiar with the software I’ll be able to create images that reflect my vision for them while avoiding having to go into additional processing to deal with halos. I think Topaz Clarity is a valuable addition to my processing software and recommend it to anyone looking for a program that will give great control to contrast and color in single frame images.

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Topaz Clarity will retail for $49.99, but will be available at a special reduced price of $29.99 through May 31st with with this promo code: claritynew

Please use the Topaz link below when going to the Topaz Labs site. 

http://www.topazlabs.com/705.html

I’m an affiliate of Topaz Labs and earn a small commission on any sales made through my referral link which helps me offset the cost of producing SpeedDemon2. 

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“Using HDR Photography to Create Your Own Personal Style” Workshop Scheduled

Alabama Morning #3
Alabama Morning #3

The link below will take you to the registration page for this session.

http://outdoorphotogear.ticketleap.com/using-hdr-photography/

I will be conducting a workshop  “Using HDR Photography to Create Your Own Personal Style” at Outdoor Photo Gear’s classroom facility May 17 and 18 here in Louisville, KY.

In this workshop, I will cover the techniques and tools that are needed to enter the fantastic world of High Dynamic Range photographs, and how to give those images your own personal style.

Workshop times are Friday May 17 from 7:00 – 9:00 PM and Saturday May 18 from 9:00am – 5:30 pm.

I will be teaching workshop attendees how to use the powerful NIK HDR Efex Pro 2 software as well as other NIK plugins for Photoshop, Lightroom and Aperture 3 to create HDR images that range from Hyper Realistic and Super Saturated to pleasing realistic photos. This small group workshop will be extremely hands on, and each attendee will leave understanding the key elements of processing HDR images to create their own style.