Tag: abandoned

Rusted Relics

Posted on March 3, 2013 by Nick Roberts

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While I was down in Alabama I took a drive out past the place where my Grandparents lived. The old house is gone now and I drove a little further down the highway to see if there was anything that might make a good photo along it. I came upon a log cabin, sitting in the middle of a field, that is covered in old metal signs and has several old gas pumps in the yard. This image is a detail of one of the pumps.

As is my practice today I shot a three bracket set of images for HDR processing. Another advantage of shooting brackets is the near certainty that one of the images will be a good exposure if I need something quick for a deadline. I don’t often need to do that but it sure is handy when the need arises.

The first thing I did was merge the three frames in NIK HDR eFex Pro 2 for tone mapping and detail adjustment. I used one of the Realistic presets as my starting point. I then took the HDR image into OnOne Perfect Photo 6 where I used a few different effects to add a vignette and enhanced some of the color. On e of the nice things about Perfect Effects is that it allows me to create layers and apply the effects in varying amounts. By stacking a few effects and adjusting the amount of each one from zero to 100% it is possible to get the feeling I’m looking for. After I had the image nearly finished I returned it to Aperture 3 where I adjusted the shadows and highlight, contrast and sharpened the image.

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This bird house seemed such a great subject with it’s weathered texture and the sign below it. I ran it through the same basic process and settled on this final version. I’m glad I started exploring the OnOne Perfect Photo 6 Suite again. In the future I will be using it more often when I want to convey more emotion than using only HDR techniques affords me.

A Couple of B&W Images from Decatur, Alabama

Posted on March 1, 2013 by Nick Roberts

Inside King Cotto's Temple in Black and White #1 — Inside King Cotton’s Temple in Black and White #1

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This image was first created from a three frame bracket -2, 0, and +2 EV that I merged in NIK HDR Efex Pro to tone map before returning it to Aperture 3 where I converted it to Black and White and applied additional contrast and sharpening.

Inside King Cotton's Temple in Black and White #2 — Inside King Cotton’s Temple in Black and White #2

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This is simply a different crop on the first image in this post.

One final thing I want to share is this link to my HDR Workshop here in Louisville later this month.

http://outdoorphotogear.ticketleap.com/nick-roberts—hdr-photography/

I know it’s probably shameless self promotion but I really want to help other photographers and artists to develop their own HDR style.

King Cotton’s Abandoned Temple

Posted on February 28, 2013 by Nick Roberts

King Cotton's Temple — King Cotton’s Temple

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Tuesday I was down in Moulton, Alabama to attend my maternal Aunt Helen Parker’s funeral. She had a long life of 94 years and though it was sad to know she had passed on it was also reaffirming in the way the passing of a loved one draws a family together. Aunt Helen had started her life as the daughter of sharecroppers in the Alabama cotton fields but through hard work she and her family rose into a comfortable middle class farm life. She, as so many others in the south, had worked hard and risen above the tough times that almost all rural southerners endured especially through the Great Depression. Throughout her long life her faith and love for her family strengthened and supported her through the loss of two husbands and many others in her large family. Aunt Helen ended her life surrounded by her nieces and nephews who all loved her dearly. Her life was one of persistence and compassion and we will all miss her and remember fondly her lilting “I love you” which she always said when she hugged us as we were heading out her door after a visit.

On my way to Moulton I passed through Decatur Alabama and saw these large buildings alongside the railroad tracks on the west side of the city. I had never been down that particular street before and in all the times I had travelled down there I had not seen these unusual structures. I am always drawn to abandoned industrial sites and decided that on my way back home I needed to stop and photograph them. When I asked my cousins what they were they told me they had once been part of a large cotton oil and cotton meal manufacturing complex.

When I arrived there I found a business office in another building nearby and asked if I could go in and photograph the place. The receptionist said that they belonged to the city of Decatur and that she didn’t know any more about them. I decided that I would find an opening in the fence around them and see for myself what mysteries they held. The sky was heavy with cold gray clouds and a light mist was falling as I unpacked my cameras and scouted for and found an opening in the fence around the property. The wind was pretty strong and the metal on the buildings rattled and creaked; it was as if the buildings were speaking to me telling about their earlier days as productive structures now left to decay and eventually return to the earth.

I shot everything that day in a three frame bracket set of -2, 0, and +2 EV. I then merged them in NIK HDR Efex Pro 2 before finishing them in Aperture 3. In some of the interior shots I went into OnOne Software’s Perfect Effects and played around with some of the many presets. The images below are from that experimentation and application within the Perfect Photo 6 Suite from OnOne after being merged and tone mapped in NIK HDR Efex Pro 2. I like the way that the two software programs complimented each other and allowed me to bring out the greens that the moisture inside these buildings had created by feeding mosses and molds on the corrugated steel. My final processing with all these images was in Aperture 3 where I used various adjustments and completed the sharpening prior to exporting the final images you see here.

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Speeddemon2 Photography Partners with Waterfront Development Corporation

Posted on February 27, 2013 by Nick Roberts

For the past six months I have been very fortunate to be granted the opportunity to showcase the Louisville Waterfront Park and it’s latest addition the Big Four Bridge. The “Crown Jewel” of the park was the conversion of the abandoned Big Four Railway Bridge which has now been rescued from it’s former status as “The Bridge to Nowhere” and given new life as an intercity/interstate connection for pedestrians and bicyclists in Louisville Kentucky and Jeffersonville Indiana. I recorded not only the final five months of the construction project but also the men who did the hard physical labor that it required. Throughout that time I created a photographic record of these men, their names and their accomplishments, which is going into the Waterfront Development Corp. archives.

My goal, from the first day I set foot on the project, was to record and preserve the faces and the names of these men so that future generations would know who they were and what they looked like. I feel that too often in our society we overlook the contribution that labor makes to the success of great civic projects like Waterfront Park; I envisioned an archive that would allow them to be remembered as a significant part of the history of the Big Four Bridge. Their dedication to their trades as Ironworkers, Carpenters, Equipment Operators, Laborers and Bridge Builders shows in every facet of the bridge. I hope that their pride in, and love for, the Big Four Bridge will never be forgotten and that in some small way my photos will celebrate these men.

From my involvement with this aspect of Louisville Waterfront Park I decided that I wanted to stay involved with the park and continue to share my images of Louisville Waterfront Park with the City of Louisville. When Ms. Margaret Walker asked if I was interested in a continued partnership with the Waterfront Development Corporation I immediately said yes. After conferring with the President of the Waterfront Development Corporation, Mr. David Karem, and Ms. Walker we agreed that I would continue to record and share my images of the continued evolution of the park and the activities that take place there with the Waterfront Development Corporation and the public through the Waterfront Park Photo Archives.

Yesterday Margaret Walker announced our partnership with the following press release:

“The Waterfront Development Corporation is pleased to partner with photographer Nick Roberts on his photo documentation of the workings of Waterfront Park. Nick’s series of photos of the last five months of construction of the Big Four Pedestrian/Bicycle Bridge are an invaluable resource and an important addition to Waterfront Park’s photo archives. We look forward to continuing this partnership as Nick captures an ongoing behind-the-scenes look at Waterfront Park construction, operation and events.”

I look forward with anticipation to the future of Louisville Waterfront Park and the opportunity to share my images and feelings with my fellow Louisvillians for years to come.

Big Four Bridge Opening Thursday 02-07-2013

Posted on February 6, 2013 by Nick Roberts

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I thought that with the opening of the Big Four Bridge set for Thursday morning I would look back over the past six months of my posts about the bridge. Photographing this project has been one of the most rewarding experiences in my life as an artist and photographer. Shooting almost daily, getting to know the construction crew, learning about bridge building, seeing my hometown from a vantage point few have ever experienced and expanding my photographic skills are all things that happened because I chose to create this blog which then led to my gaining access to the project.

I started the SpeedDemon2 blog last summer and tried to post a new image each day. Had I not posted a photo of clouds moving over the bridge after a thunderstorm on the blog, it would not have been seen by the Waterfront Development Corporation. Without them seeing that photo the Waterfront Development Corporation wouldn’t have had any reason to contact me or grant me access to the project and I would not have gotten the opportunity to go up on the bridge during the final phase of the conversion from abandoned railroad bridge to a pedestrian bridge and a central component of Louisville Waterfront Park.

When people ask me about how to get recognition for their photography I always tell them to blog about their work. I relate my story about the exposure and opportunities blogging has given me and my work, not only here in Louisville but around the world too.

I can’t begin to list everyone who helped me and took me under their wings as I moved forward with my personal plan for this body of work. I want to thank the Waterfront Development Corporation, Construction Solutions LLC and T&C Construction for all the support and access they have granted me.

I especially want to thank all the Ironworkers, Carpenters, Laborers and Equipment Operators for their cooperation and understanding as I went about documenting their day to day activities. These guys have become friends that I hope to stay in contact with for years to come. Without their skill and expertise the Big Four Bridge conversion could not exist; their dedication to craftsmanship and love for the bridge are evident in every detail. They never cut corners or took an attitude that something was “good enough” instead they took the approach that “perfection equals pride in a job well done” which shows everywhere one looks. Everyone who sees and uses this bridge owes them a debt of gratitude.

The Waterfront Development Corporation has restored Louisville’s Commons and given our city a park that celebrates our roots as a river city. Their vision and leadership will be enjoyed by the people of Louisville and her visitors for generations to come and exemplifies the title “The City of Possibility”. Waterfront Park gives the entire community a gathering place far greater than any of us who have lived here our entire adult lives ever dreamed possible.

Big Four Bridge at Sunrise

Morning sunrise on the Big Four Bridge jobsite. — Start of the Workday

Big Four Bridge at Waterfront Park, Louisville, Kentucky

The image above is the one that was seen by the Waterfront Development Corporation and landed me on the bridge. I was subsequently allowed to shoot this final phase of the conversion from abandoned railroad bridge to a pedestrian bridge between Kentucky and Indiana.