Category: Streetrod

More Handheld HDR

Supercharger #1
Supercharger #1

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Yesterday I talked about shooting HDR brackets handheld; today’s image is another example of that technique. There are many occasions or situations where a tripod is out of the question. Often those same situations present difficulties due to the extremely broad dynamic range of the subject; that is when a bracket set can assure that the entire dynamic range is covered.

In this image the light on the polished metal was extreme and a single exposure would have left the sky overexposed while the shadows would have been underexposed. By shooting a three frame bracket at +2, 0 and -2 EV I was able to capture the clouds in the sky, the details under the carburetors, the reflected light on the black drive belt in the lower right of the frame and the reflections in the windshield. By combining the three exposures in NIK HDR Efex Pro 2 I was able to bring the broad dynamic range under control.

One of the features of NIK HDR Efex Pro 2 that really helps with handheld images is the Align Images feature that can be applied at the initial merging of the brackets before any other processing takes place. I keep this feature checked for all my HDR work because even on a tripod there can be slight movement between frames; of course when shooting handheld there is bound to be some movement and this feature along with a 20% Ghost Reduction application usually solves that issue.

Finally I used the Balanced preset in NIK HDR Efex Pro 2 as my starting point to tone map the image. A little tweaking there opened up the shadows and tamed the highlights while bringing the clouds out in the sky. I then returned the image to Aperture 3 for final adjustments to exposure and some enhancement of the red and yellow color channels to saturate the brown on the car. A little adjustment to the blue channel saturation and luminance further strengthened the contrast between the clouds and sky. Lastly I sharpened the image and then took it into Photoshop CS5 and used Content Aware fill to remove a small patch of white at the edge of the photo that was there from the corner of the event sticker in the windshield.

Using Handheld Bracket Sets for HDR Images

Deuce Coupe Interior #1
Deuce Coupe Interior #1

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I found another good use for HDR processing last week while photographing at the NSRA Streetrod Nationals here in Louisville. It’s always difficult to capture the details inside the cabins of these cars in a single exposure. By shooting a three frame bracket set of +2, 0 and -2 EV I was able to tame the highlights and reach into the shadows. I shoot handheld whenever I can to allow myself the luxury of being able to frame my images without the hinderance that a tripod creates. I have found that applying 20% Ghost Reduction and checking Align Images in NIK HDR Efex Pro 2 compensates nicely for any camera movement that a handheld bracket set creates. In this image you can see the texture in the carpet as clearly as if it had been shot from a tripod.

I used the Balanced Preset in NIK HDR Efex Pro 2 as my starting point for merging the three frames before tone mapping the image. I then returned the image to Aperture 3 where I completed my adjustments to exposure and contrast before applying sharpening.

Deuce Coupe Interior #2
Deuce Coupe Interior #2

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For this monotone image I took the color HDR image into OnOne Perfect Photo 7.5 and used the Perfect B&W application. I started with the Ambrotype preset and then made several changes to it’s default setting. I used a cream color for the paper tone and a deep blue for the silver tones. The ambrotype preset includes a border bit I didn’t care for it so I also changed it with the border adjustment tab. I chose the Emulsion #003 and added it and I also changed the width of the edge to something I felt better fit the image. By beginning with my HDR image I was able to show the same detail in the shadow areas as I had in the color image and also control the contrast and highlights. 

 

Happy St.Patrick’s Day

Greendrops Keep Fallin' On My Head
Greendrops Keep Fallin’ On My Head

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In the tradition of honoring my Irish roots I thought I’d post some green images today. For me green is the color of spring, hope, rebirth and my eyes. This first image is my favorite shade of green too. All these images come from the past several years of the NSRA Streetrod Nationals held here in Louisville, Kentucky.

Bullet Nose Beast
Bullet Nose Beast

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Bullet Nose Beast #2
Bullet Nose Beast #2

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REO Speed Wagon
REO Speed Wagon

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Emerald Buick
Emerald Buick

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Oldsmobile Rocket

Rocket 88
Rocket 88

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I shot this image a while back and processed it using NIK Define 2.0 and Viveza 2.0 to bring out the colors in the photo. I liked the pinstripe work and the artist’s choice of colors for the car. It’s a simple image and there’s not much else to add about it.

 

1956 Chevy

1956 Chevy
1956 Chevy

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I had a tough time shooting this year at the Streetrod Nationals due to the weather and time constraints of my own. The opening morning there wasn’t a cloud in the sky so the light was very harsh which as most photographers know makes things difficult. The second morning it was raining almost the entire time I was there which left me pretty much consigned to shooting closeups and detail shots with waterdrops on everything. I threw in the towel by noon and wrote off the event for this year.

I di manage to get a few images that I liked and this is one of them. One of the toughest factors I face when photographing at this event is what I refer to as the “visual pollution” that is created with all the tents and popups that the participants erect. Due to the tents and the folding chairs that are everywhere; it is nearly impossible to isolate the cars from the clutter. Another problem arises when the owner decides to open the hood on the car to show the engine; this act usually destroys any hope of getting a decent shot of the car no matter how interesting the car is.

Today’s image is from the first morning I was there and even though the whole car was incredibly well done, the place where it was parked was so cluttered with tents and the attendent items such as BBQ grills, lawn chairs, coolers and stacks of “stuff” I could not cet a clean shot of the whole car. I opted to shoot the front end and framed it as well as I could to remove those distractions. I shot a five exposure bracket set that I then edited in NIK HDR Efex Pro 2 and Aperture 3 to produce this image.