Category: Panorama

Louisville Bridges Panorama

Louisville Bridges at Sunset

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This photo is from Louisville’s Waterfront Park near the Kennedy bridge which carries I-65 across the Ohio River. The bridges on the left and right, the Clark Memorial Bridge and the Big Four railroad bridge were constructed in 1928. I find it amazing that they both were built in one year. In contrast today there is another bridge that will be built, starting later this year, alongside the Kennedy that will require almost three years to complete.

This image was created by cropping a single frame into the panorama format. I then processed it in NIK HDR Efex Pro and Aperture 3. I wanted to emphasize the perspective of the scene by positioning myself almost under the Kennedy and shooting the image with my 18-55mm lens set to 18mm at f9.

Ohio River Morning

Orange Dawn

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This panorama was taken from the Big Four Bridge looking upriver; the river seems so calm and sleepy in the early morning hours. I really liked the way the sky was reflected in the river that morning and the minimalist feel that it imparted.

I processed this image in NIK HDR Efex Pro 2 using the Deep 2 preset as my start point.

Not much more to add except that I hope all my readers here in the US have a great Thanksgiving holiday. I’ve baked three pumpkin pies and a sweet potato casserole as my contribution to our family’s Thanksgiving dinner. Now all I need to do is deliver them and then sit back and enjoy our family’s company.

Across the River

Kennedy Bridge Sunset

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This image was captured from the Jeffersonville, Indiana shore of the Ohio River looking west toward Louisville. It was a great evening for a sunset and I chose to ride over to Indiana to see what the Louisville skyline would look like.

I processed this single frame in NIK HDR Efex Pro 2 to enhance the colors in the sky. After adjusting the tonality to create the feeling I was looking for I returned the image to Aperture 3 for final sharpening and some additional tweaks to the definition, vibrance and recovery sliders as well as performing the final sharpening on the photo. Before sending it to NIK HDR Efex Pro 2 I applied some RAW pre-sharpening in Aperture 3 which I have discovered is a good way to start processing an image.

Waterfront Park View #2

We’ll Be Landing in Louisville

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This is another shot I took from high above the Big Four Bridge last month.  It was early and the sun was just rising when I captured this scene. The airplane in the sky adds interest to an otherwise empty sky. The river is so placid early in the morning almost as if it has been sleeping and is just waking to a new day. Waterfront Park is a treasure that many Louisvillians are unaware of; the park extends east of downtown for several miles and reinvigorates a former blighted area of Louisville. The park sits on land that at one time had nothing but scrap yards, asphalt terminals, barge docks and derelict structures all along the riverfront. The land has been reclaimed and decontaminated over the past twenty five years to create one of the most unique parks in America.

I processed this single frame HDR image in Aperture 3 and NIK HDR Efex Pro 2 to get just the right atmosphere.

Blue Moon of Kentucky

Blue Moon of Kentucky
Blue Moon of Kentucky

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I went down to the riverfront yesterday morning to shoot the arrival of Hurricane Isaac in Louisville. Usually after a Gulf Coast hurricane moves inland it comes up the Mississippi River and then drifts east through the Ohio River Valley. I expected the sky to be rather dramatic and I was really hoping to capture the sunrise. I shot several images from Waterfront Park looking east and liked what I was getting. I applied my adage of “looking behind myself” to see if there was anything going on in the western sky when I saw the blue moon, a second full moon in one month, just above the Kennedy Bridge. The clouds were moving in from the southwest and I really liked the way they were drifting past the moon. I immediately shot a bracketed set of images from EV +2 through -2 in one stop amounts to capture as much detail as I could even though it was still at least 30 minutes before actual sunrise.

Back in the studio I opened the bracket set in NIK HDR Efex Pro 2 and merged them with the Ghosting Adjustment set to 20% which allowed the sky to stay as I envisioned it when I captured the scene. I started with the Deep 2 preset and adjusted the tone map and tonality until I had what I wanted. By boosting the Highlight and White sliders I got the moon to pop out of the clouds which was how I had originally envisioned the scene. I then took the image back into Aperture 3 where I cleaned up some sensor spots, subtly boosted the Vibrance slider and applied sharpening. I also cropped the final image into a panoramic framing to accent the linearity of the bridge before exporting it for the web.